June 11, 2025
New faculty books: Artificial intelligence, 1990s Russia, song interpretation, and more
Recent faculty books from the 缅北禁地 include those about artificial intelligence, 1990s Russia and song interpretation.
Recent faculty books from the 缅北禁地 include those from linguistics, Slavic languages and literature and French. UW News spoke with the authors of four publications to learn more about their work.
Scrutinizing and confronting AI hype
Emily M. Bender, UW professor of linguistics, co-authored 鈥�The AI Con: How to Fight Big Tech鈥檚 Hype and Create the Future We Want鈥� with Alex Hanna, the director of research at the Distributed AI Research Institute.
The book looks at the the drawbacks of technologies sold under the banner of artificial intelligence. Bender and Hanna offer a resounding no to pressing questions: Is AI going to take over the world? Have big tech scientists created an artificial lifeform that can think on its own?
This kind of thinking is a symptom of a phenomenon known as AI hype, they write, which twists words and helps the rich get richer by justifying data theft and motivating surveillance capitalism. In 鈥淭he AI Con,鈥� Bender and Hanna explain how to spot AI hype, deconstruct it and expose the power grabs it aims to hide.
The book grew out of podcast co-hosted by Bender and Hanna called 鈥�Mystery AI Hype Theater 3000.鈥�
鈥淭he podcast uses ridicule as praxis to cope with and deflate the hype around AI,鈥� Bender said. 鈥淥ur goal with both the podcast and book is to both take on the current hype cycle and empower our audience to deploy the same strategies with the hype they are encountering. The book is an interdisciplinary project, blending Alex’s expertise in sociology with mine in linguistics, to look at why certain language technologies in particular pose risks and how the use of these technologies can do damage in various contexts.鈥�
For more information, contact Bender at ebender@uw.edu.
Two recent books explore translation, Russia in the 1990s
Jos茅 Alaniz, professor of Slavic languages and literature, published two novels in March: 鈥�Moscow 93鈥� and 鈥�Tales of Bart: A Novel in Three Acts.鈥�
鈥淭ales of Bart鈥� follows the exploits of 鈥渆vil鈥� translator Fruitvale Bart as the setting shifts from Republic-era Texas to 19th-century Czarist Russia to far-future Atalanta to 1990s Los Angeles.
Each of the vignettes was purportedly translated by Bart himself. But, the book asks, what is translation: subservience to a pre-existing text or a creative act? Both? Neither? 鈥淭ales of Bart鈥� explores these questions as well as the nature of art, the legacies of colonialist violence, the alienation of postmodern life and the horrors of the self.
鈥淚 was intrigued with the position of the translator, the tremendous power they have to shape communication between cultures,鈥� Alaniz said. 鈥淎nd the ways translation is therefore about power, which one can use for good or evil ends.鈥�
The second book, 鈥淢oscow 93,鈥� takes place in 1990s Russia, where 20-something Chicano journalist Jos茅 Alonzo is looking to make a name for himself. But things are never what they seem in this new post-Soviet country striving for freedom and democracy 鈥� and falling short. At the opening of a New York-style night club on Red Square, partygoers will have a life-or-death national crisis erupt in their faces.
鈥淢oscow 93鈥� is an auto-fictional account of Alaniz鈥檚 experiences before, during and after the 1993 October events, when a violent revolt against President Boris Yeltsin erupted in the capital. By the time it ended, army tanks shelled the parliament building. The book blends horror and farce, presenting Russia in the first decade after communism through the lens of a sordid expat scene.
鈥淭he mini-civil war that erupted in Moscow in fall of 1993, which I experienced as a journalist, seemed to be a good lens through which to view the whole of early post-Soviet Russia,鈥� Alaniz said. 鈥淚 decided to write an auto-fictional account of that era, which plays fast and loose with some of the facts but nonetheless delivers an incisive portrait of what it was like to live and work there then as an ex-pat.鈥�
For more information, contact Alaniz at jos23@uw.edu.
Following the journey of 鈥楴e me quitte pas鈥�
惭补测补听础苍驳别濒补听厂尘颈迟丑, UW professor of French, published 鈥�Ne me quitte pas: A Song by Jacques Brel and Interpreted by Nina Simone and Others鈥� in February. The book follows the long and varied journey of the classic song, 鈥淣e me quitte pas.鈥�
Brel, a Belgian singer-songwriter, debuted the song in 1959 as a haunting plea for his lover to return.听In the mid 1990s, Nina Simone鈥檚听1965听cover so captivated a teenage听Smith听that it inspired her future profession. In her book,听Smith听shows how the song travels across languages, geographies, genres and generations while accumulating shifting artistic and cultural significance.
Smith听said the book emerged from听鈥淩eclaiming Venus,鈥�听a memoir she wrote about Alvenia Bridges, a woman who worked behind the scenes in the music industry.
鈥淲hen this project was accepted, I realized I needed to hone my musical analysis skills,鈥澨齋mith听said. 鈥淚 decided to take songwriting courses through Berklee College of Music online so I could do the close reading of the song justice. Because of UW’s RRF and Simpson Center’s Society of Scholars, I had the resources and feedback necessary to write what has turned out to be my favorite book project so far.鈥�
For more information, contact Smith at mayaas@uw.edu.
Tag(s): College of Arts & Sciences 鈥� Department of French & Italian Studies 鈥� Department of Linguistics 鈥� Department of Slavic Languages and Literature 鈥� Emily M. Bender 鈥� Jose Alaniz 鈥� Maya Angela Smith